I interviewed the band Insides for Tone Glow, online January 2021.
PITCHFORK: “The 100 Best Songs of 2020”
I wrote about Shamir’s “On My Own” for Pitchfork, online December 2020.
PITCHFORK: Coil’s “Musick to Play in the Dark, Vol. 1”
I reviewed the reissue of Coil’s seminal album for Pitchfork, online November 2020.
PITCHFORK: “The Music that Made Beverly Glenn-Copeland”
I interviewed the musician about the music he’s listened (and not listened) to over the last seventy years, for Pitchfork, online November 2020.
PITCHFORK: Pole’s “Fading”
I reviewed the new album from Pole for Pitchfork, online November 2020.
PITCHFORK: Róisín Murphy’s “Róisín Machine”
I reviewed Róisín Murphy’s new album for Pitchfork, online October 2020.
PITCHFORK: Seth Bogart’s “Men on the Verge of Nothing”
I reviewed the new album by Seth Bogart for Pitchfork, online October 2020.
PITCHFORK: Cut Copy’s “Freeze, Melt”
I reviewed the new Cut Copy album for Pitchfork, online August 2020.
THE NEW YORKER: “How DeForrest Brown, Jr., Centers the Black Body in Techno Music”
I profiled the musician and theorist for the New Yorker, online August 2020.
PITCHFORK: DJ Boring’s “Like Water”
I reviewed DJ Boring’s new EP for Pitchfork, online June 2020.
PITCHFORK: Sonic Boom’s “All Things Being Equal”
I reviewed Sonic Boom’s new album for Pitchfork, online June 2020.
PITCHFORK: Moodymann’s “Taken Away”
I reviewed the house legend’s new album, made in response to police trying arrest him for being in a van while black, for Pitchfork, online May 2020.
PIN-UP: “From Studio 54 to Carl Craig, a Wave of Dance Fever Hits the Exhibition Circuit”
I wrote about art institutions’ fascination with nightlife for Pin-Up, online April 2020.
PITCHFORK: Basic Plumbing’s “Keeping up Appearances”
I remembered Patrick Doyle and reviewed his final album for Pitchfork, online January 2020.
PITCHFORK: Various Artists “Shall Not Fade—4 Years of Service”
I reviewed the Shall Not Fade compilation for Pitchfork, online January 2020.
PITCHFORK: The Best Music Books of 2019
I wrote about Patrick Cowley’s Mechanical Fantasy Box for Pitchfork, online December 2019.
PITCHFORK: The 50 Best Albums of 2019
I contributed to Pitchfork’s 50 Best Albums of 2019 feature, online December 2019.
PITCHFORK: The 100 Best Songs of 2019
I contributed to Pitchfork’s Best Songs of 2019 feature, online December 2019.
PITCHFORK: Gavilán Rayna Russom’s “The Envoy”
I reviewed the new album by Gavilán Rayna Russom for Pitchfork, online December 2019.
PITCHFORK: Frank Ocean’s PrEP+ Promised Justice for the 1980s Queer Club Scene. It Did Not Deliver.
I wrote about Frank Ocean’s PrEP+ party for Pitchfork, online October 2019.
PITCHFORK: Lindstrøm’s “On a Clear Day I Can See You Forever”
I reviewed the new album by Lindstrøm, online October 2019.
PITCHFORK: !!!’s Wallop
I reviewed the new album by !!!, online September 2019.
PITCHFORK: V/A’s Total Solidarity
I wrote about a benefit compilation of electronic artists for Poland’s grassroots queer organizations for Pitchfork, online August 2019.
PITCHFORK: Stereolab’s Emperor Tomato Ketchup
I wrote about the band’s iconic album for Pitchfork, online July 2019.
PITCHFORK: Holy Ghost!’s Work
I reviewed Holy Ghost!’s album for Pitchfork, online June 2019.
PITCHFORK: The Ballet’s Matchy-Matchy
I reviewed the Ballet’s album for Pitchfork, online May 2019.
PITCHFORK: Cocteau Twins’ Treasure Hiding: The Fontana Years
I reviewed the Cocteau Twins’ box set for Pitchfork, online October 2018.
PITCHFORK: A Surprising Tribute to David Bowie’s Berlin Triology, Played inside a Manhattan Mall
I wrote about an all-star three-night concert of David Bowie’s Berlin records in NYC for Pitchfork, online October 2018.
PITCHFORK: The Prodigy’s The Fat of the Land
I reviewed the Prodigy’s album for Pitchfork’s Sunday Review, online August 2018.
PITCHFORK: Jake Shears’ S/T
I reviewed Jake Shears’ album for Pitchfork, online August 2018.
