For Pitchfork I wrote about Dawn Penn’s “No No No,” online September 2022.
PITCHFORK: “The 250 Best Songs of the 1990s”
For Pitchfork, I wrote about Isolee’s “Beau Mot Plage”, online September 2022.
PITCHFORK: “The 150 Best Albums of the 1990s”
For Pitchfork I wrote about Boards of Canada’s “Music Has the Right to Children”, online September 2022.
CULTURED: “Detroit Celebrates Its Renaissance During Design Month”
For Cultured, I went to Detroit and wrote about celebrations of Design Month by Gucci, Cranbrook, the Ford Museum, and the Consulate of Italy in Detroit, online September 2022.
PITCHFORK: Nona Hendryx’s “SkinDiver”
For the Pitchfork Sunday Review, I wrote about Nona Hendryx, Labelle, and her landmark 1989 album SkinDiver, online September 2022.
PITCHFORK: Born Under a Rhyming Planet’s “Diagonals”
I reviewed the album for Pitchfork, online September 2022.
THE ARCHITECT’S NEWSPAPER: “Brooklyn Museum Stages Retrospective of ‘Total Artist’ Virgil Abloh”
I reviewed Brooklyn Museum’s exhibition for the Architect’s Newspaper, online July 2022.
PITCHFORK: “NOW That’s What I Call Pride”
I reviewed the compilation for Pitchfork, online June 2022.
PITCHFORK: Claire Rousay’s “Everything Perfect Is Already Here”
I reviewed Claire Rousay’s new album for Pitchfork, online April 2022.
SURFACE: “Design Dispatch Newsletter”
In my final takeover of the Surface newsletter, I wrote about Support by Design’s efforts to find work for displaced Ukrainian architects and designers, Wilco’s breakfast cereal, and the new Twenty Two hotel and club, online April 2022.
SURFACE: “Design Dispatch Newsletter”
As part of my takeover of Surface’s Design Dispatch newsletter, I wrote about Severance’s use of MCM, the art installations at Coachella, and the Isay Weinfeld-designed new Four Seasons restaurant, online April 2022.
PITCHFORK: Dopplereffekt’s “Neurotelepathy”
I wrote about Dopplereffekt’s new album for Pitchfork, online April 2022.
PITCHFORK: Vitesse X’s “Us Ephemeral”
I reviewed the debut album for Pitchfork, online March 2022.
METROPOLIS: “Salon 94 Honors Black Cinematic, Sonic, and Visual Art”
I wrote about a poster exhibition for Metropolis, online March 2022.
PITCHFORK: Adult.’s “Becoming Undone”
I reviewed the new album for Pitchfork, online February 2022.
PITCHFORK: Sally Shapiro’s “Sad Cities”
I reviewed the new album for Pitchfork, online February 2022.
PITCHFORK: Shinichi Atobe’s “Love of Plastic”
I reviewed the new album for Pitchfork, online January 2022.
PITCHFORK: RP Boo’s “Established!”
For the Best Albums of 2021/Best Electronic Albums of 2021 features, I wrote about RP Boo for Pitchfork, online December 2021.
ARTFORUM: “Oh Holy Night: On Kiki & Herb’s Queer Holiday Cheer”
I wrote about Kiki & Herb for Artforum, online December 2021.
PITCHFORK: Eris Drew’s “Quivering in Time”
I reviewed the new album by Eris Drew for Pitchfork, online October 2021.
PITCHFORK: DJ Stingray 313’s “Molecular Level Solutions”
I reviewed the new EP from DJ Stingray 313 for Pitchfork, online September 2021.
PITCHFORK: Saint Etienne’s “I’ve Been Trying to Tell You”
I reviewed the new album by Saint Etienne, online September 2021.
PITCHFORK: Laurie Anderson’s “United States Live”
For the Sunday Review, I wrote about Laurie Anderson, Ronald Reagan, and how to live in America. Online July 4th, 2021.
ARTFORUM: “Hearing Voices”
I wrote about Kristin Oppenheim and her album Night Run: Collected Sound Works 1992-1995 for ArtForum, online May 2021.
PITCHFORK: LSDXOXO’s “Dedicated 2 Disrespect EP”
I reviewed the new EP by LSDXOXO for Pitchfork, online May 2021.
PITCHFORK: DJ Sprinkles: “Gayest Tits & Greyest Shits: 1998-2017 12-Inches & One-offs”
I wrote about the politics of house music and a new compilation from DJ Sprinkles for Pitchfork, online May 2021.
PITCHFORK: Sofia Kourtesis’ “Fresia Magdalena”
I reviewed the new EP by Sofia Kourtesis for Pitchfork, online March 2021.
THEM.: “15 Songs We Can’t Wait to Dance to After Quarantine.”
I wrote about what it might be like when clubs reopen after the COVID pandemic, and interviewed artists and DJs around the world about songs they’ve been aching to hear again, for Them. online March 2021.
PITCHFORK: Dax Pierson’s “Nerve Bumps (A Queer Divine Dissatisfaction)
I reviewed the new album by Dax Pierson for Pitchfork, online February 2021.
PITCHFORK: Yvette Janine Jackson’s “Freedom”
I reviewed Yvette Janine Jackson’s album for Pitchfork, online January 2021.