I wrote about a project by SHoP Architects for The Architect’s Newspaper, online June 2021.
INTERIOR DESIGN: “10 Questions with…Gerald Luss”
I spoke with the iconic designer of the Time-Life building interiors for Interior Design, online May 2021.
ARTFORUM: “Hearing Voices”
I wrote about Kristin Oppenheim and her album Night Run: Collected Sound Works 1992-1995 for ArtForum, online May 2021.
PITCHFORK: LSDXOXO’s “Dedicated 2 Disrespect EP”
I reviewed the new EP by LSDXOXO for Pitchfork, online May 2021.
PITCHFORK: DJ Sprinkles: “Gayest Tits & Greyest Shits: 1998-2017 12-Inches & One-offs”
I wrote about the politics of house music and a new compilation from DJ Sprinkles for Pitchfork, online May 2021.
INTERIOR DESIGN: “Highlights from Kin & Company’s Furniture Exhibition ‘Inside~Outside'”
I wrote about new design for outside for Interior Design, online May 2021.
THE ARCHITECT’S NEWSPAPER: “The Retool of an Aging Marcel Breuer Showstopper Takes the High Road”
In my debut for the Architect’s Newspaper, I wrote about the renovation of Breuer’s Pirelli building into the Hotel Marcel, online May 2021.
INTERIOR DESIGN: “Designing Women III: MOTHER Opens at Egg Collective’s TriBeCa Gallery”
I wrote about Egg Collective’s survey of a more than a century of furnishings made by mothers for Interior Design, online May 2021.
PIN-UP: “Material Promiscuity: Objects USA and the Evolution of American Craft”
I reviewed “Objects: 2020” at R & Company for PIN-UP, online April 2021.
INTERIOR DESIGN: “10 Highlights from ‘Fictions,’ a Virtual Showcase of Design in Montreal”
I wrote about a surreal, virtual design fair for Interior Design, online April 2021.
INTERIOR DESIGN: “10 Questions with…Kate Thatcher”
I spoke with A+I CEO Kate Thatcher about her efforts to increase gender equity and decrease the pay gap in architecture and design, online March 2021.
PIN-UP: “Hot Spots: Accessibility and Design from Gender-Neutral Bathrooms to Anti-Homeless Architecture”
I wrote about political spaces for bodies for PIN-UP, online March 2021.
PITCHFORK: Sofia Kourtesis’ “Fresia Magdalena”
I reviewed the new EP by Sofia Kourtesis for Pitchfork, online March 2021.
THEM.: “15 Songs We Can’t Wait to Dance to After Quarantine.”
I wrote about what it might be like when clubs reopen after the COVID pandemic, and interviewed artists and DJs around the world about songs they’ve been aching to hear again, for Them. online March 2021.
APERTURE: “The Glamorous World of L.A.’s Vanished Queer Underground”
I reviewed Reynaldo Rivera’s book of photographs for Aperture, online March 2021.
BOOK: Stephen Milner’s “A Spiritual Good Time”
I wrote an essay for Stephen Milner’s book of photography, published by Meteørø Editions, February 2021.
PITCHFORK: Dax Pierson’s “Nerve Bumps (A Queer Divine Dissatisfaction)
I reviewed the new album by Dax Pierson for Pitchfork, online February 2021.
PITCHFORK: Yvette Janine Jackson’s “Freedom”
I reviewed Yvette Janine Jackson’s album for Pitchfork, online January 2021.
TONE GLOW: “Insides”
I interviewed the band Insides for Tone Glow, online January 2021.
METROPOLIS: “NGV Triennial Ponders the Distance Past and the Post-Pandemic Future”
I wrote about the National Gallery of Victoria’s NGV Triennial for Metropolis, online December 2020.
BEYOND REPROACH: “Freedom Costs a Buck 0 Five: Episode 26”
I appeared on the Beyond Reproach podcast to talk shit about Edwin Meese III.
PITCHFORK: “The 100 Best Songs of 2020”
I wrote about Shamir’s “On My Own” for Pitchfork, online December 2020.
PITCHFORK: Coil’s “Musick to Play in the Dark, Vol. 1”
I reviewed the reissue of Coil’s seminal album for Pitchfork, online November 2020.
PITCHFORK: “The Music that Made Beverly Glenn-Copeland”
I interviewed the musician about the music he’s listened (and not listened) to over the last seventy years, for Pitchfork, online November 2020.
PITCHFORK: Pole’s “Fading”
I reviewed the new album from Pole for Pitchfork, online November 2020.
METROPOLIS: “A Slew of Contemporary Work Reinvigorates Eliot Noyes’s ‘Frightening Architecture'”
I wrote about Object & Thing’s staging of contemporary work in a Modernist icon, and the legacy of Modernism itself, for Metropolis, online November 2020.
APERTURE: “What It’s Like to See Photographs Again”
I wrote about galleries and museums re-opening in a pandemic, featuring work by Jenna Westra, Christopher Makos, Awol Erizku, and Carmen Winant, in an essay for Aperture, online November 2020.
PITCHFORK: Róisín Murphy’s “Róisín Machine”
I reviewed Róisín Murphy’s new album for Pitchfork, online October 2020.
PITCHFORK: Seth Bogart’s “Men on the Verge of Nothing”
I reviewed the new album by Seth Bogart for Pitchfork, online October 2020.
