I reviewed Sonic Boom’s new album for Pitchfork, online June 2020.
PITCHFORK: Moodymann’s “Taken Away”
I reviewed the house legend’s new album, made in response to police trying arrest him for being in a van while black, for Pitchfork, online May 2020.
PITCHFORK: Basic Plumbing’s “Keeping up Appearances”
I remembered Patrick Doyle and reviewed his final album for Pitchfork, online January 2020.
PITCHFORK: Various Artists “Shall Not Fade—4 Years of Service”
I reviewed the Shall Not Fade compilation for Pitchfork, online January 2020.
PITCHFORK: The Best Music Books of 2019
I wrote about Patrick Cowley’s Mechanical Fantasy Box for Pitchfork, online December 2019.
PITCHFORK: The 50 Best Albums of 2019
I contributed to Pitchfork’s 50 Best Albums of 2019 feature, online December 2019.
PITCHFORK: The 100 Best Songs of 2019
I contributed to Pitchfork’s Best Songs of 2019 feature, online December 2019.
PITCHFORK: Gavilán Rayna Russom’s “The Envoy”
I reviewed the new album by Gavilán Rayna Russom for Pitchfork, online December 2019.
PITCHFORK: Frank Ocean’s PrEP+ Promised Justice for the 1980s Queer Club Scene. It Did Not Deliver.
I wrote about Frank Ocean’s PrEP+ party for Pitchfork, online October 2019.
PITCHFORK: Lindstrøm’s “On a Clear Day I Can See You Forever”
I reviewed the new album by Lindstrøm, online October 2019.
PITCHFORK: !!!’s Wallop
I reviewed the new album by !!!, online September 2019.
PITCHFORK: V/A’s Total Solidarity
I wrote about a benefit compilation of electronic artists for Poland’s grassroots queer organizations for Pitchfork, online August 2019.
PITCHFORK: Stereolab’s Emperor Tomato Ketchup
I wrote about the band’s iconic album for Pitchfork, online July 2019.
PITCHFORK: Holy Ghost!’s Work
I reviewed Holy Ghost!’s album for Pitchfork, online June 2019.
PITCHFORK: The Ballet’s Matchy-Matchy
I reviewed the Ballet’s album for Pitchfork, online May 2019.
PITCHFORK: Cocteau Twins’ Treasure Hiding: The Fontana Years
I reviewed the Cocteau Twins’ box set for Pitchfork, online October 2018.
PITCHFORK: A Surprising Tribute to David Bowie’s Berlin Triology, Played inside a Manhattan Mall
I wrote about an all-star three-night concert of David Bowie’s Berlin records in NYC for Pitchfork, online October 2018.
PITCHFORK: The Prodigy’s The Fat of the Land
I reviewed the Prodigy’s album for Pitchfork’s Sunday Review, online August 2018.
PITCHFORK: Jake Shears’ S/T
I reviewed Jake Shears’ album for Pitchfork, online August 2018.
PITCHFORK: Donato Dozzy’s Filo Loves the Acid
I reviewed Donato Dozzy’s album for Pitchfork, online July 2018.
PITCHFORK: Midori Takada / Lafawndah’s Le Renard Bleu
I reviewed the collaborative EP for Pitchfork, online July 2018.
PITCHFORK: AGF’s Dissidentova
I reviewed AGF’s album for Pitchfork, online July 2018.
PITCHFORK: Chromeo’s Head Over Heels
I reviewed Chromeo’s album for Pitchfork, online June 2018.
PITCHFORK: Alexis Taylor’s Beautiful Thing
I reviewed Alexis Taylor’s album for Pitchfork, online April 2018.
PITCHFORK: Chris Carter’s Chemistry Lessons Volume One
I reviewed Chris Carter’s album for Pitchfork, online April 2018.
PITCHFORK: Nine Essential Ryuichi Sakamoto Collaborations to Know
I profiled Ryuichi Sakamoto and curated a playlist of his collaborations for Pitchfork, online February 2018.
PITCHFORK: De Lux’s Disco Songs about Love
I reviewed De Lux’s album for Pitchfork, online January 2018.
PITCHFORK: Patrick Cowley Is One of Disco’s Most Important Producers. These Are His Must-Hear Deep Cuts.
I profiled Patrick Cowley and curated a playlist of his productions for Pitchfork, online January 2018.
PITCHFORK: Queercore Veteran Scott Moore on How Gay Punk Has Changed
I profiled Scott Moore for Pitchfork, online October 2017.