For Pitchfork I wrote about Dawn Penn’s “No No No,” online September 2022.
PITCHFORK: “The 250 Best Songs of the 1990s”
For Pitchfork, I wrote about Isolee’s “Beau Mot Plage”, online September 2022.
PITCHFORK: “The 150 Best Albums of the 1990s”
For Pitchfork I wrote about Boards of Canada’s “Music Has the Right to Children”, online September 2022.
PITCHFORK: Nona Hendryx’s “SkinDiver”
For the Pitchfork Sunday Review, I wrote about Nona Hendryx, Labelle, and her landmark 1989 album SkinDiver, online September 2022.
PITCHFORK: Born Under a Rhyming Planet’s “Diagonals”
I reviewed the album for Pitchfork, online September 2022.
PITCHFORK: “NOW That’s What I Call Pride”
I reviewed the compilation for Pitchfork, online June 2022.
PITCHFORK: Claire Rousay’s “Everything Perfect Is Already Here”
I reviewed Claire Rousay’s new album for Pitchfork, online April 2022.
PITCHFORK: Dopplereffekt’s “Neurotelepathy”
I wrote about Dopplereffekt’s new album for Pitchfork, online April 2022.
PITCHFORK: Vitesse X’s “Us Ephemeral”
I reviewed the debut album for Pitchfork, online March 2022.
PITCHFORK: Adult.’s “Becoming Undone”
I reviewed the new album for Pitchfork, online February 2022.
PITCHFORK: Sally Shapiro’s “Sad Cities”
I reviewed the new album for Pitchfork, online February 2022.
PITCHFORK: Shinichi Atobe’s “Love of Plastic”
I reviewed the new album for Pitchfork, online January 2022.
PITCHFORK: RP Boo’s “Established!”
For the Best Albums of 2021/Best Electronic Albums of 2021 features, I wrote about RP Boo for Pitchfork, online December 2021.
PITCHFORK: Eris Drew’s “Quivering in Time”
I reviewed the new album by Eris Drew for Pitchfork, online October 2021.
PITCHFORK: DJ Stingray 313’s “Molecular Level Solutions”
I reviewed the new EP from DJ Stingray 313 for Pitchfork, online September 2021.
PITCHFORK: Saint Etienne’s “I’ve Been Trying to Tell You”
I reviewed the new album by Saint Etienne, online September 2021.
PITCHFORK: Laurie Anderson’s “United States Live”
For the Sunday Review, I wrote about Laurie Anderson, Ronald Reagan, and how to live in America. Online July 4th, 2021.
PITCHFORK: LSDXOXO’s “Dedicated 2 Disrespect EP”
I reviewed the new EP by LSDXOXO for Pitchfork, online May 2021.
PITCHFORK: DJ Sprinkles: “Gayest Tits & Greyest Shits: 1998-2017 12-Inches & One-offs”
I wrote about the politics of house music and a new compilation from DJ Sprinkles for Pitchfork, online May 2021.
PITCHFORK: Sofia Kourtesis’ “Fresia Magdalena”
I reviewed the new EP by Sofia Kourtesis for Pitchfork, online March 2021.
PITCHFORK: Dax Pierson’s “Nerve Bumps (A Queer Divine Dissatisfaction)
I reviewed the new album by Dax Pierson for Pitchfork, online February 2021.
PITCHFORK: Yvette Janine Jackson’s “Freedom”
I reviewed Yvette Janine Jackson’s album for Pitchfork, online January 2021.
PITCHFORK: “The 100 Best Songs of 2020”
I wrote about Shamir’s “On My Own” for Pitchfork, online December 2020.
PITCHFORK: Coil’s “Musick to Play in the Dark, Vol. 1”
I reviewed the reissue of Coil’s seminal album for Pitchfork, online November 2020.
PITCHFORK: “The Music that Made Beverly Glenn-Copeland”
I interviewed the musician about the music he’s listened (and not listened) to over the last seventy years, for Pitchfork, online November 2020.
PITCHFORK: Pole’s “Fading”
I reviewed the new album from Pole for Pitchfork, online November 2020.
PITCHFORK: Róisín Murphy’s “Róisín Machine”
I reviewed Róisín Murphy’s new album for Pitchfork, online October 2020.
PITCHFORK: Seth Bogart’s “Men on the Verge of Nothing”
I reviewed the new album by Seth Bogart for Pitchfork, online October 2020.
PITCHFORK: Cut Copy’s “Freeze, Melt”
I reviewed the new Cut Copy album for Pitchfork, online August 2020.
PITCHFORK: DJ Boring’s “Like Water”
I reviewed DJ Boring’s new EP for Pitchfork, online June 2020.
