For the New Yorker, I went to the Sandy Hook Memorial and interviewed its designers, online November 2022.
ARCHITECTURAL DIGEST: “Has the Tin Building Cooked up a New Recipe for Leisure?”
For AD Pro I interviewed chef Jean-Georges Vongerichten and wrote about his Tin Building, online November 2022.
PHOTOGRAPH: “Rodrigo Valenzuela: New Works for a Post Workers World”
I wrote about the exhibition for the November issue of Photograph, online November 2022.
ELLE: “All Who Wander”
For Elle, I went to Milan to interview Humberto Campana and celebrate the 10th anniversary of Louis Vuitton’s Objets Nomades collection, in print November 2022.
PITCHFORK: “The 250 Best Songs of the 1990s”
For Pitchfork I wrote about Dawn Penn’s “No No No,” online September 2022.
PITCHFORK: “The 250 Best Songs of the 1990s”
For Pitchfork, I wrote about Isolee’s “Beau Mot Plage”, online September 2022.
PITCHFORK: “The 150 Best Albums of the 1990s”
For Pitchfork I wrote about Boards of Canada’s “Music Has the Right to Children”, online September 2022.
CULTURED: “Detroit Celebrates Its Renaissance During Design Month”
For Cultured, I went to Detroit and wrote about celebrations of Design Month by Gucci, Cranbrook, the Ford Museum, and the Consulate of Italy in Detroit, online September 2022.
PITCHFORK: Nona Hendryx’s “SkinDiver”
For the Pitchfork Sunday Review, I wrote about Nona Hendryx, Labelle, and her landmark 1989 album SkinDiver, online September 2022.
PITCHFORK: Born Under a Rhyming Planet’s “Diagonals”
I reviewed the album for Pitchfork, online September 2022.
ARCHITECTURAL DIGEST: “Jeremiah Brent Reflects on a Decade in Design—and What’s Next for His Business”
I profiled the designer and tv personality for AD Pro, online September 2022.
THE ARCHITECT’S NEWSPAPER: “Barbara Kruger Fills MoMA’s Atrium with Supergraphics that Communicate Powerful but Ambiguous Messages About Politics”
I wrote about Barbara Kruger’s installation at MoMA for the Architect’s Newspaper, online August 2022.
THE ARCHITECT’S NEWSPAPER: “Brooklyn Museum Stages Retrospective of ‘Total Artist’ Virgil Abloh”
I reviewed Brooklyn Museum’s exhibition for the Architect’s Newspaper, online July 2022.
ARCHITECTURAL DIGEST: “Queer Landmarks Are Everywhere—and This Group Is Working to Keep Them in Plain Sight”
I wrote about the NYC LGBT Historic Sites Project for AD PRO, online June 2022.
ARCHITECTURAL DIGEST: “Clever’s Guide to Pride Flags through the Decades”
I wrote about the evolution and politics of the pride flag for Architectural Digest, online June 2022.
SURFACE: “Inside the History of SCAD’s Provençal Campus in the French Village of Lacoste.”
I interviewed SCAD president and founder Paula Wallace for Surface, online June 2022.
PITCHFORK: “NOW That’s What I Call Pride”
I reviewed the compilation for Pitchfork, online June 2022.
SURFACE: “Designers Are Tripping Over Themselves to Market Psychedelics”
I wrote about magic mushrooms in contempoary fashion, design, and retail for Surface, online June 2022.
APERTURE: “Duane Michals: The Human Condition”
For Aperture’s summer issue guest edited by Alec Soth, I talked with Duane Michals, online and in print June 2022.
SURFACE: “Revisiting the Legacy of the Preeminent Queer Art-World Agitators”
I wrote about the General Idea retrospective at the National Gallery of Canada for Surface’s Design Dispatch newsletter, online June 2022.
AD PRO: “Luca Guadagnino Pulls Back the Curtain on His Interiors Studio”
For AD Pro, I interviewed director Luca Guadagnino about his installation at Salone del Mobile, online June 2021.
PITCHFORK: Claire Rousay’s “Everything Perfect Is Already Here”
I reviewed Claire Rousay’s new album for Pitchfork, online April 2022.
SURFACE: “Design Dispatch Newsletter”
In my final takeover of the Surface newsletter, I wrote about Support by Design’s efforts to find work for displaced Ukrainian architects and designers, Wilco’s breakfast cereal, and the new Twenty Two hotel and club, online April 2022.
SURFACE: “Design Dispatch Newsletter”
For my second takeover of the Surface newsletter, I wrote about new frontiers in 3D animation, Simone Leigh’s history-making at the Venice Biennale, and David Rockwell Group’s sushi drama, online April 2022.
SURFACE: “Design Dispatch Newsletter”
As part of my takeover of Surface’s Design Dispatch newsletter, I wrote about Severance’s use of MCM, the art installations at Coachella, and the Isay Weinfeld-designed new Four Seasons restaurant, online April 2022.
PITCHFORK: Dopplereffekt’s “Neurotelepathy”
I wrote about Dopplereffekt’s new album for Pitchfork, online April 2022.
PITCHFORK: Vitesse X’s “Us Ephemeral”
I reviewed the debut album for Pitchfork, online March 2022.
METROPOLIS: “Salon 94 Honors Black Cinematic, Sonic, and Visual Art”
I wrote about a poster exhibition for Metropolis, online March 2022.
PITCHFORK: Adult.’s “Becoming Undone”
I reviewed the new album for Pitchfork, online February 2022.
APERTURE: “How Pictures Can Shape an Essential History of Queer Life”
I interviewed author and curator Stephen Vider for Aperture, online February 2022.